Synth Buddy vs. The World: A Cooler Look at a Hot-Switch Issue

Alright, let’s dive into this Heritage Audio Synth Buddy (vs. Franklin Audio’s SS-6) saga with a fresh perspective, shall we? I just got my hands on one of the first units out there, and boy, do I have some thoughts to share.

Quick Facts

The Elephant in the Room

Look, I get it. When Heritage Audio dropped the Synth Buddy, it set off a firestorm. “They’re ripping off Franklin Audio’s SS-6!” some cried. Others jumped to Heritage’s defense. It was like watching a synth-nerd version of West Side Story, minus the choreography (thankfully).

But here’s the thing: this whole drama? It’s missing the point.

Let’s Talk About the Synth Buddy

First off, this little box is built like a tank. Seriously, I could probably use it as a doorstop if I weren’t so in love with its actual function. The moment I plugged it in, I was struck by how utterly silent it is. No hiss, no hum, just pure, unadulterated signal path.

Now, some folks might gripe about the lack of balanced outputs. But let’s be real – a lot of our beloved synths and drum machines are rocking unbalanced outputs anyway. It’s not a deal-breaker, folks.

Why a Switcher, Though?

I can already hear some of you asking, “Why not just use a patchbay or a mixer?” Fair question. Let me break it down for you:

1. Simplicity: Unlike a patchbay, there’s no need to fumble with cables every time you want to switch instruments. It’s a one-and-done setup. That said, if you already have a patchbay, you obviously might not need this, and it’s fine.
2. Transparency: A good passive switcher like the Synth Buddy doesn’t color your sound. That vintage mixer might add “character” (read: noise) you don’t always want. A great quality mixer can be a godsend, but it doesn’t come cheap and it takes up space (see next point)
3. Space-saving: Have you seen the size of this thing? It’s perfect for cramped studio spaces or live rigs where every inch counts.
4. Flexibility: Want to add some color? Just pop an effects unit after the Synth Buddy. Boom, best of both worlds.

The Bigger Picture

Here’s where I think we all need to take a deep breath. Yes, the Synth Buddy looks similar to Franklin Audio’s SS-6. But let’s be honest – switchers aren’t exactly the pinnacle of technological innovation. They’re useful tools, sure, but we’re not talking about reinventing the wheel here.

Both Heritage Audio (from Spain) and Franklin Audio (from Australia) are small, independent companies trying to make cool stuff for us gear nerds. Heritage has been around longer, sure, but that doesn’t automatically make them the bad guys. Actually, they are a well-respected brand, with plenty of positive feedback on their classic Neve-inspired gear. More recently, the Spanish company has come up with a very interesting hardware-meets-software proposition, the i73 line (make sure to check out their i73 Pro Edge – more on this soon on ANR).

My Pick

Why did I pick Heritage Audio’s product? Well, Synth Buddy is cheaper and offers more input channels than the SS-6. Both things were important factors in my decision. Plus, I’m a sucker for those EMI/Fairchild vintage-style knobs! As for the SS-6 bonus features, I realized I don’t need the DI stage. Balanced outputs would be nice, but it’s something I can do without.
That’s why I opted for Synth Buddy. As simple as that.

What Really Matters

At the end of the day, what matters is this: Does the Synth Buddy make our lives easier and our music better? From where I’m sitting (surrounded by a tangle of cables I no longer need, mind you), the answer is a resounding yes.

The audio quality is transparent, the build is solid, and it does exactly what it says on the tin. For me, that’s what counts.
If instead you feel like the SS-6 is a better option for you, go for that.

Wrapping It Up

Look, I get why people are fired up. We’re passionate about our gear, and that’s awesome. But maybe, just maybe, we could channel that passion into making music instead of forum wars?

The Synth Buddy is a solid piece of kit that solves a real problem for a lot of us. Whether it’s the right choice for you depends on your setup, your needs, and yeah, your budget. But it’s out there now, another option in our ever-growing toolbox of music-making gadgets.

So let’s stop the finger-pointing and get back to what really matters: making some noise. Who’s with me?